Add to ORKGIn this conference, Daisuke Miyao discusses his new book, Japonisme and the Birth of Cinema (Duke University Press, 2020), in which he explores the influence of Japanese art on the development of early cinematic visual style, particularly the actualité films made by the Lumière brothers between 1895 and 1905. Examining nearly 1,500 Lumière films, which he viewed at Institut Lumière, Miyao argues that those films provided a medium for experimenting with aesthetic and cinematic styles imported ..
There’s a Japanese film industry, and then there’s ‘Japanese Cinema’ – a construct we imagine and cr...
Digital technology has transformed cinema's production, distribution, and consumption patterns and p...
With the rising popularity of anime amongst animation students, audiences and scholars around the wo...
In this conference, Daisuke Miyao discusses his new book, Japonisme and the Birth of Cinema (Duke Un...
Dans cette thèse, nous allons aborder le problème de l'interprétation et de la compréhension de l'im...
W rozprawie omówione zostały wczesne dzieje kina w Japonii w odniesieniu do szerszych procesów społe...
In A New History of Japanese Cinema Isolde Standish focuses on the historical development of Japanes...
The English title of a recent book by renowned film scholar Yomota Inuhiko reads: “What is Japanese ...
The release of The Robe by Twentieth Century-Fox in 1953 brought about a revolution in motion pictur...
Popular convictions as to character of Japanese culture are dominated by the orientalist stereotypes...
A few fundamental events contributed to create a revolution in the world of Japanese cinema during t...
Many different ideas have been put forward under the headings of ideas, theories, technology, techni...
Through the analysis of the work of the main Japanese animators starting from the pioneers of 1917, ...
The cinema of Japan has long played a central role in the study of film. But its well-established ca...
In Japan state controlled active guidance of filmmakers, a central feature of many authoritarian or ...
There’s a Japanese film industry, and then there’s ‘Japanese Cinema’ – a construct we imagine and cr...
Digital technology has transformed cinema's production, distribution, and consumption patterns and p...
With the rising popularity of anime amongst animation students, audiences and scholars around the wo...
In this conference, Daisuke Miyao discusses his new book, Japonisme and the Birth of Cinema (Duke Un...
Dans cette thèse, nous allons aborder le problème de l'interprétation et de la compréhension de l'im...
W rozprawie omówione zostały wczesne dzieje kina w Japonii w odniesieniu do szerszych procesów społe...
In A New History of Japanese Cinema Isolde Standish focuses on the historical development of Japanes...
The English title of a recent book by renowned film scholar Yomota Inuhiko reads: “What is Japanese ...
The release of The Robe by Twentieth Century-Fox in 1953 brought about a revolution in motion pictur...
Popular convictions as to character of Japanese culture are dominated by the orientalist stereotypes...
A few fundamental events contributed to create a revolution in the world of Japanese cinema during t...
Many different ideas have been put forward under the headings of ideas, theories, technology, techni...
Through the analysis of the work of the main Japanese animators starting from the pioneers of 1917, ...
The cinema of Japan has long played a central role in the study of film. But its well-established ca...
In Japan state controlled active guidance of filmmakers, a central feature of many authoritarian or ...
There’s a Japanese film industry, and then there’s ‘Japanese Cinema’ – a construct we imagine and cr...
Digital technology has transformed cinema's production, distribution, and consumption patterns and p...
With the rising popularity of anime amongst animation students, audiences and scholars around the wo...